Awards for writing and text based art:  

Robert Graves Poetry Prize shortlist

Guardian/Modern Painters Award for Writing on Art

Scotland Year of the Artist Award

Yorkhill Hospital Award for Multimedia Strengths and Difficulties Questionnaire

Wellcome Foundation Sciart Shortlist: Multimedia Strengths and Difficulties Questionnaire

Words and Women IV

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Articles online: 

Scottish Review (26.10.22) Brownian Motion and John Patrick Byrne

Tblisi Architecture Biennial: Swimming in the black sea

Scottish Review (24.8.22)The Physics of Light + Barbara Hepworth & Martin Creed

Berwick Film & Media Arts Festival Review: Staple Myth  

Expanding the Space of a Tent: Making the sculpture of Brother Walfrid

Tell, Tongue, the Mystery, Words during Lockdown

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Publications: 

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2022 (Forthcoming) Swimming in the black sea, essay on Gaelic concept of 'dùthcas' in relation to national identities for Tblisi Architecture Biennial, Georgia. Ed. Otar Nemsadze.

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2019: Staple Myth, Berwick Film & New Media Arts Festival Review, LUX .

 

2017: 'Komodo Dragon' in Words and Women IV (Norwich: Unthank Books), eds. Bryan, L & Greenwood, B. 153-161.

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2015: Co-edited with Driscoll, S., Trace: artistic responses to Scottish archaeology (University pf Glasgow & Seedbed Press)

 

2014: Sand, fire, peat, dream, Curatorial text for 'Grounded', Glasgow Commonwealth Games 

Gavrilo Princip drinks a cup of coffee...(Glasgow Seedbed Press)

 

2013:  Robertson, Kate, Ed., The Art of Resistance, CARA. Lodged with Tate, Britain.

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2011: Between Us a Phoenix Arises, (Glasgow, Seedbed Press)

 

2010: Memory Attunements, translated from Andenken by Flora Rosanes (Vienna, 1920), (Glasgow: Seedbed Press)

 

2009: 'Wall', in Hidden Cities 5, ed. Jury, R (Glasgow: Dancing Rabbit Productions)

 

2007: ‘Overlapping Worlds’, Textualities 2: Science and Intuition, ed. Jennie Renton (Edinburgh, Main Point Books).

 

‘On the Pillars…’ and ‘The Ballad of Anton and Lynne’, Hidden Cities 3, ed. Rachel Jury, (Dancing Rabbit Productions, Glasgow).

 

'Real Streams: Hildegard of Bingen’,The State of the Real, ed. Damian Sutton, Ray  Mackenzie and Sue Brind,(London: Tauris) 88-97.

 

2006: A Search for the Source of the Whirlpool of Artifice (Edinburgh: Dunedin Academic Press). 

 

2005: Making Brother Walfrid, (Celtic Football Club Supporters’ Association).

 

The Celestial Streams of Giulio Camillo’, History of Science, 43, 321-41.

 

2004: Reciprocal Earth, poems and images published as a set of 6 postcards; Fold Gallery, Kirkby Steven.

 

‘The Psalmist’ (short version) The Guardian Review, 18.09.04.

 

‘The Psalmist’, Modern Painters, Autumn: 22-23.

 

‘Power and Persuasion in the Theatre of Camillo’, Power and Persuasion: Sculpture in its Rhetorical Context,ed. Urszula Szulakowska(Warsaw: Institute of Art of the Polish Academy of Sciences) 37-48.

 

‘Fame with Tongue’, Reformation and Renaissance Review, 6, 107-123.

 

2003: Truman, J.; Robinson, K., Evans A.L., Smith, D.; Cunningham, L.;Millward, R.; Minnis, H.: ‘The Strengths and Difficulties Questionnaire: A pilot study of a new computer version of the self-report scale’, European Child and Adolescent Psychiatry, 12: 9-14.

 

‘Giulio Camillo and L’idea del Theatro’, E-Sharp: Online Journal.

 

2000: Making Light Cross for Scotus College, Scottish Catholic Observer.

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1999 ed., Tall Ships, Short Stories, (Greenock Tall Ships).

 

1997 'Persephone I', 'Persephone II', and 'This', Jacobsen, F. W., Kindlen, M. and Shoemark, A., eds., Living Through Loss, (London: Jessica Kingsley Publishers) 147-148.

 

1995 ed., Ae Fon Kiss, (Glasgow: Project Ability).

 

1991, adaptation of The Winter's Tale for Flying Geese Theatre Company schools' tour. 

 

1990 In Ms. Aristotle’s Garden, (Glasgow: Glasgow Museum & Art Gallery).​